Suchergebnisse

Frontmatter -- Contents -- Introduction: Messy Eating -- 1. Turning Toward and Away -- 2. Subjectivities and Intersections -- 3. Being in Relation -- 4. The Tyranny of Consistency -- 5. Justice and Nonviolence -- 6. Doing What You Can -- 7. Waking Up -- 8. Entangled -- 9. Disability and Interdependence -- 10. Asking Hard Questions -- 11. Interspecies Intersectionalities -- 12. Living Philosophically -- 13. Taking Things Back, Piece by Piece -- Coda: Toward an Analytic of Agricultural Power -- Coda: Thinking Paradoxically -- Acknowledgments -- Recommended Reading -- List of Contributors -- Index

Frontmatter -- CONTENTS -- Introduction -- PART I Post-Identity Politics -- Chapter One Interview with Cassils -- Chapter Two From SF -- Chapter Three From Nomadic Theory (2011) -- Chapter Four From Towards a New Class of Being -- Chapter Five A Feminist Genealogy of Posthuman Aesthetics in the Visual Arts (2016) -- Chapter Six Animality and Blackness (2020) -- Chapter Seven Asserting Aboriginal Territories in Cyberspace -- Chapter Eight From Posthumanism and the Graphic Novel in Latin America (2017) -- Chapter Nine Witnessing Animals -- Chapter Ten Video Dog Star -- Chapter Eleven Interview with Garry Marvin -- Chapter Twelve From Plant Thinking -- Chapter Thirteen A Program for Plants (2016) -- Chapter Fourteen No Manifesto (1965, 2008) -- PART II Material Dimensions -- Chapter Fifteen Interview with Nandipha Mntambo -- Chapter Sixteen Locating Me in Order to See You (2007) -- Chapter Seventeen From The Rendered Material of Film Stock (2009) -- Chapter Eighteen Interview with Heide Hatry -- Chapter Nineteen On Some Limits of Materiality in Art History (2008) -- Chapter Twenty Elephants in the Room -- Chapter Twenty-One From Second Skins -- Chapter Twenty-Two Hunting and Gathering as Ways of Perceiving the Environment (2012) -- Chapter Twenty-Three Super-natural Futures -- Chapter Twenty-Four Rhythms of Relation -- Chapter Twenty-Five Proliferation, Extinction, and an Anthropocene Aesthetic (2017) -- Chapter Twenty-Six Interview with Graham Harman -- Chapter Twenty-Seven From Dark Ecology (2016) -- Chapter Twenty-Eight From What Is the Measure of Nothingness? -- PART III Registering Interconnectedness -- Chapter Twenty-Nine Interview with Kathy High -- Chapter Thirty From Writing Machines (2002) -- Chapter Thirty-One From Unexpress the Expressible (2012) -- Chapter Thirty-Two Introduction to Nocturnal Fabulations -- Chapter Thirty-Three Posthuman Performance (2010) -- Chapter Thirty-Four Critical Relationality -- Chapter Thirty-Five Ecosex ManiFesto (2011) -- Chapter Thirty-Six Interview with Jane Bennett -- Chapter Thirty-Seven Interview with Pauline Oliveros -- Chapter Thirty-Eight Animals, Nostalgia and Zimbawe's Rural Landscape in the Poetry of Chenjerai Hove and Musaemura Zimunya (2016) -- Chapter Thirty-Nine Waiting for Gaia -- Chapter Forty Interview with Newton Harrison -- Chapter Forty-One Seeds = Future (2013) -- PART IV Emerging Ecologies -- Chapter Forty-Two Interview with Katherine McKittrick: (2021) -- Chapter Forty-Three Interview with Doo-Sung-Yoo -- Chapter Forty-Four Interview with Kelly Jazvac -- Chapter Forty-Five A Questionnaire on Materialisms -- Chapter Forty-Six Art as Remembrance and Trace in Post-Conflict Latin America (2016) -- Chapter Forty-Seven Interview With Manuela Rossini -- Chapter Forty-Eight African Afro-futurism -- Chapter Forty-Nine Whose Anthropocene? A Response (2016) -- Chapter Fifty Unruly Edges -- Chapter Fifty-One The Rise of Cheap Nature (2016) -- Chapter Fifty-Two From Forensic Architecture -- Chapter Fifty-Three Letters to Dear Climate (2017) -- Coda -- LIST OF CONTRIBUTORS -- INDEX